Our focus this year has been on adding comprehensive RAW support to EditReady's already long list of supported formats, and our latest arrival is Canon RAW. EditReady takes you through the process smoothly and efficiently, giving you great-looking, easily usable video files to edit and grade with. But in the real world of tight budgets and deadlines, you'll want to convert camera RAW footage into a more efficient, edit-friendly "mezzanine" format, also known as proxies (See our Explainer on Mezzanines). If you've got the time and money for an end-to-end RAW workflow, it's a good option. But there's a price to pay: huge files, complicated processing even to see the images, and even more processing to view the full dynamic range in a colorspace that looks right. RAW video retains the complete information from a camera's sensor. I'm wondering if anyone else has been able to make this work or if my case is something specific that I haven't worked out yet? I've done some googling on the subject and not coming up with a ton of information.July's 22.3 release adds the popular Canon Cinema RAW Light format as well as support for ARRI's new ALEXA 35 camera A quick recap on RAW I've looked on Divergent Media's website and it says that they support a wide array of MXF media but on their specific list of cameras the C300mk2 doesn't seem to be listed. I am on version 2.5.4 of EditReady and cannot update as edit computers are extremely locked off and only connect to our media servers (so updating Adobe is even more difficult since all our systems need to match versions). Wondering if anyone else has had this issue or is able to use this method. When I bring the footage into EditReady it doesn't seem to read the footage. I've got a license of EditReady sitting on a second computer in my office and I was trying to give that a shot. So, I have a workaround that I'm currently using where I run all footage through DaVinci but it's a little clunky so I'm exploring other options. I am in a Premiere environment and I've been running into an issue as of late where transcoding proxies for an offline workflow where Adobe Media Encoder is changing the timecode of the clips. Wondering if anyone has had any luck transcoding XF-AVC Intra footage from a C300mk2 in EditReady? Looking for something more local? Here are some localized subreddits: To chat with specialists in recording sound on set, check out Want to learn more? Try these subreddits: You don't want people to rip off your work, we shouldn't be ripping off theirs. Sunday Sunday Job/Career Advice ( for the past month) Are you new to editing?ĭiscussion or advocacy of piracy is prohibited. Thursday Tip Thursday ( for the past month) Wednesday Assistant Editor Wednesdays ( for the past month) Monday: Megathread Mondays [ for the past month) To get your page listed on the Wiki index page just drop a note in the Mod Mail and we'll get to you as quickly as possible. Please feel free to add and edit pages, and list requests in this thread. We prefer public domain or Creative Commons.
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